Why do we read seasonal?

Molly Flatt wrote a piece for the Guardian many, many years ago (I found it: Do you have a seasonal reading pattern?) and it was the first time that I wondered whether the weather influenced my reading. Depending on my mood, when you catch me, my answer can be one of the following

  • No, never
  • Yes, I read sad books in winter and want happy books in summer
  • The reverse of the statement above
  • What seasons, I live in Britain.

Sarcasm aside, my TBR is stuffed full with books that I sort of keep aside for reading during hot summery weather and since that is normally in short supply, I only ever get to one or two of them before I head back to my dark Historical Fiction, the mysteries, the Fantasy tomes etc.

In comes summer 2018: I think it’s well over a month now that is has been sunny and wonderful and I find I started to pick up books that have summery themes, often of an oppressive nature or set in hot places or about people who come from cool climates and then find themselves in unspeakable heat. So, I select these off my bookshelves and place them on the bedside table (which is like being longlisted for a book award in my house, seriously, once you are on the bedside table, your chances are pretty high to reach the “read” status).

So a few things that I have promoted to my bedside table:

 

The Mosquito Coast

Adventure story set in the Honduran Jungle. It sounds dark, it sounds oppressive and has been lingering on my TBR for nearly two years. This might be the summer I am reading it. I feel in the mood for it, so it might just happen.

Illyrian Spring

A 1930s novel by a woman writer? Well, that has been my cup of tea for a while now. Set on the Dalmatian coast, which is one of my favourite places. Apparently, it was scandalous when it first came out. I don’t read gossip magazines, but I do like a good bit of literary scandal.

Mr Lynch’s Holiday

A Midlands bus driver visits his son in a Spanish expat colony and the drama ensues from there. I quite like these enclosed settings and I live in the Midlands, so Brummies on holiday: Sign me up! I always wanted to read something by Catherine O’Flynn anyway.

Villa America

I have already started this one and am by now nearly half way through and I am hooked, this is the second book I am reading set on the Riviera, historical fiction centering around the very real Murphys who basically turned the French Riviera into what it became: a pilgrimage for sun seekers from all over the world. They also apparently inspired one of Fitzgeralds book and I am a smitten kitten and absolutely adore every single minute of this so far.

Fatal Inheritance

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I actually requested this as an arc from the publisher, because I adored the premise and I really enjoyed it. A mysterious inheritance, a woman trapped in a loveless marriage who then travels down to the South of France to claim it and gets swept up in the drama and glitz of the French Riviera. Danger and plenty of mystery ensues. Historical fiction, with a hint of Mary Stewart, a touch of Highsmith, perfect for reclining on a deckchair, sipping a cocktail and enjoying this summer. Will be published on the 28th of July.
So, in summary (or should I say: summery): I am a cliche and the weather does clearly dictate what I want to read, eat and drink.
Does the weather influence your reading?

 

Seven Dead by J. Jefferson Farjeon

I have read quite a few of Farjeon’s books over the years and some of them were quite good, but there is always something that does not quite work for me and with Seven Dead I finally figured out what it is: He is trying to appeal to too many audiences at once. You know some people like the murder mystery, the puzzle figuring out how a murder was committed, others like the adventure stories chasing an “unknown” villain, hunting them down, others love the suspense type books, that keep you on the edge of the seat whilst another group does love a bit of romance in their books, some like a policeman doing the investigation, others love a bystander becoming the sleuth. In this book you have all of that and more. Whilst for the most part it is enjoyable in a way, the conclusion of the book is just silly and so random that if you lived in my neighbourhood, you would have heard a frustrated sigh. A loud one. Still, these days, I adore these books and these re-issues since the Golden Age has become almost of academic interest to me. It’s like a personal research topic for me. So on that note, this one was interesting. 34862888


Paperback, British Library Crime Classics, 288 pages
Published September 4th 2017 by The British Library (first published 1939)
Thanks to Netgalley and Poisoned Pen Press for the review copy.

 

Tar Baby – Toni Morrison… or how women become what men see in them.

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Didi at Brown Girl Reading is hosting #readsoullit this month, a month long reading challenge to accompany Black History Month in the US. For this purpose, she set a photo challenge, a whole month of booktube videos by various booktubers and she also set up the read along for Tar Baby by Toni Morrison.

I have read a lot by Toni Morrison over the years, all the books are very different in tone and story, but they share a couple of characteristics too: Difficult to read due to style and content, strong characters that drive the book making the plot often secondary. Yet, to me the books have always a compelling quality.

As a white European woman, I am fully aware that I don’t get all the socio-cultural references within Morrison’s work. Or in other words: I don’t know what it means to be black in America, I don’t even know what it means to be white in America. So, quite often if I don’t understand parts of the book, I will either have to do some research or I will have to let it go. Despite this, however, I often get a lot out of her books, they make me think, they make me look within myself and wonder what aspects of the characters can be found within me.

Tar Baby is the story of a series of couples, there is Valerian and his wife Margaret, who loath each other, living mostly on this Caribbean island being served hand on foot by Sydney and his wife Ondine. Therese and Gideon look after the tasks that are too menial for the house servants,  and then there is Jardine, niece to the houseservants, but elevated within the household as a protege and Son, the stranger appearing in their midst.

There are many themes in the book, but the one that struck most of a chord with me, was the one on how the way the men perceive the women is how the women end up seeing themselves. It takes Jardine almost the entire book to consider that she is not that person that she is told by the men in her life that is she is. The men are quite vile to the women at times out in the open at times more subtle in how the woman has to shift and maneuver to accommodate the man. It often made me feel uncomfortable, particularly, when one woman who is assaulted by a man, later finds herself in a relationship with that same man.

An interesting read and I am sure it will echo with me for a long time. You cannot say about such book that you loved it, I did not love this book, but it made me think, I adore her characters, so imperfect, so flawed, so unlikeable, but so, so real.

“I wonder if the person he wants to marry is me or a black girl? And if it isn’t me he wants, but any black girl who looks like me, talks and acts like me, what will happen when he finds out that I hate ear hoops, that I don’t have to straighten my hair, that Mingus puts me to sleep, that sometimes I want to get out of my skin and be only the person inside– not American– not black– just me?”

By the way, according to the dictionary, a tar baby is “a difficult problem that is only aggravated by attempts to solve it.” – I had never heard of it.


Paperback, 320 pages
Published June 8th 2004 by Vintage (first published 1981)

Revisiting a school book

Over the past few days, some fellow Booktubers and I read Heinrich Boell’s The Lost Honour of Katharina Blum (Die Verlorene Ehre der Katharina Blum).

The book, set in the early parts of 1970ies, deals with Katharina, a woman in her twenties, who lives a quiet life filled with work as a housekeeper and occasional work helping out at functions.

 

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During Karneval, she attends a party and meets a man, that she takes home and the next morning after he left, the police takes her to be interrogated because said man is suspected to be a bank robber and an alleged terrorist. Katharina and her friends and family are now hounded by the ZEITUNG (clearly meant to be the BILD, Germany’s notorious slanderous rag of a paper) and quickly every aspect of Katharina’s life is examined and deemed to be unworthy. The ZEITUNG tries and sentences her, before the police even determines if there is enough to charge her with anything.

“… she said she would not sign any deposition containing the word “amorous” instead of “advances”. For her the difference was of crucial significance, and one of the reasons she had separated from her husband was that he had never been amorous but had consistently made advances.”

It was interesting reading this again, even more so, because I read my old school copy including all the notes from the time. Passages underlined and “Idiot” written next to it. Comments from the teacher added on the sides. Doodles. It is funny how these little things can take you back to that time when you read the book for the first time.

It was also fascinating to go back to that time of that ultra conservative Germany during the 1970ies/80ies. How it felt, the constant threat of terrorism. I could almost smell that Germany back then. And the longer I think, the more I think about how brilliant Boell was to set this story during Karneval.

It was great re-reading this, and I shall pick up more of my German books this year.

“The characters and action in this story are purely fictitious. Should the description of certain journalistic practices result in a resemblance to the practices of Bild-Zeitung, such resemblance is neither intentional, nor fortuitous, but unavoidable.”


Published April 1976 by Deutscher Taschenbuch Verlag
Paperback, 152 pages
English Edition: 
Published September 29th 2009 by Penguin Classics
Paperback, 103 pages