Over the past few days, some fellow Booktubers and I read Heinrich Boell’s The Lost Honour of Katharina Blum (Die Verlorene Ehre der Katharina Blum).
The book, set in the early parts of 1970ies, deals with Katharina, a woman in her twenties, who lives a quiet life filled with work as a housekeeper and occasional work helping out at functions.
During Karneval, she attends a party and meets a man, that she takes home and the next morning after he left, the police takes her to be interrogated because said man is suspected to be a bank robber and an alleged terrorist. Katharina and her friends and family are now hounded by the ZEITUNG (clearly meant to be the BILD, Germany’s notorious slanderous rag of a paper) and quickly every aspect of Katharina’s life is examined and deemed to be unworthy. The ZEITUNG tries and sentences her, before the police even determines if there is enough to charge her with anything.
“… she said she would not sign any deposition containing the word “amorous” instead of “advances”. For her the difference was of crucial significance, and one of the reasons she had separated from her husband was that he had never been amorous but had consistently made advances.”
It was interesting reading this again, even more so, because I read my old school copy including all the notes from the time. Passages underlined and “Idiot” written next to it. Comments from the teacher added on the sides. Doodles. It is funny how these little things can take you back to that time when you read the book for the first time.
It was also fascinating to go back to that time of that ultra conservative Germany during the 1970ies/80ies. How it felt, the constant threat of terrorism. I could almost smell that Germany back then. And the longer I think, the more I think about how brilliant Boell was to set this story during Karneval.
It was great re-reading this, and I shall pick up more of my German books this year.
“The characters and action in this story are purely fictitious. Should the description of certain journalistic practices result in a resemblance to the practices of Bild-Zeitung, such resemblance is neither intentional, nor fortuitous, but unavoidable.”